For the colors, I chose Folk Art paint in Cayman Blue and Licorice. (Had I had a reference image with me, I would have picked out a little less intense shade of blue. Oh, well.) The blue got painted on first, because it's easier to paint black over blue than blue over black to correct any mistakes. Next came the outlines in black, followed by the spaces inbetween the blue and the edges, lastly by any minor touch ups I had. Cutting the neck out was a lot easier—and more fun—than the painting was. For the most part, the cut neckline is the same as on the original shirt, at least in front, since I traced that on, too. I had to guess what the back looked like.

All in all, I'm pretty pleased with how this turned out. Unless you get very close to the shirt you can't tell where the design could still be touched up a little more. Not too worried about that. If anyone gets that close, we have a more important problem than how 100% accurate the shirt is.